| 1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 | - |
| 2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 | - |
| 3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 | - |
| 4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 | - |
| 5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | - |
| 6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 | - |
| 7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 | - |
| 8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7, A4, per Augmentationem et Diminutionem | - |
| 9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | - |
| 10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9, alla Duodecima | - |
| 11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10, alla Decima | - |
| 12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8, A3 | - |
| 13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11, A4 | - |
| 14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | - |
| 15 | Die Kunst der Fuge, BWV 1080/12: Contrapunctus 12, A4 | - |
| 16 | Die Kunst der Fuge, BWV 1080/13: Contrapunctus 13, A3 | - |
| 17 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Clav. | - |
| 18 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Clav. | - |
| 19 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | - |
| 20 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti (Contrapunctus 14) | - |
| 21 | Canon Trias Harmonica, à 8, BWV 1072 | - |
| 22 | Canon à 4, perpetuus, BWV 1073 | - |
| 23 | Canon à 4, BWV 1074 | - |
| 24 | Canon à 2, perpetuus, BWV 1075 | - |
| 25 | Canon Triplex, à 6, BWV 1076 | - |
| 26 | Canone doppio sopr'il Soggetto, A 4, BWV 1077 | - |
| 27 | Canon Concordia discors, A 2, BWV 1086 | - |
| 28 | Canon Fa Mi, á 7, BWV 1078 | - |
| 29 | Canones BWV 1087: 1. Canon simplex | - |
| 30 | Canones BWV 1087: 2. All'rovescio | - |
| 31 | Canones BWV 1087: 3. Beede vorigen Canones zugleich, Motu recto e contrario | - |
| 32 | Canones BWV 1087: 4. Motu contrario e recto | - |
| 33 | Canones BWV 1087: 5. Canon duplex, à 4 | - |
| 34 | Canones BWV 1087: 6. Canon simplex Über besagtes Fundament, à 3 | - |
| 35 | Canones BWV 1087: 7. Idem, à 3 | - |
| 36 | Canones BWV 1087: 8. Canon simplex, à 3, il Soggetto in Alto | - |
| 37 | Canones BWV 1087: 9. Canon in unisono post semifusam, à 3 | - |
| 38 | Canones BWV 1087: 10a. Alio modo, per Syncopationes et per Ligaturas, à 2; 10b. Evolutio | - |
| 39 | Canones BWV 1087: 11. Canon Duplex Über Fundament, à 5 | - |
| 40 | Canones BWV 1087: 12. Canon Duplex Über besagte Fundamental-Noten, à 5 | - |
| 41 | Canones BWV 1087: 13. Canon Triplex, à 6 | - |
| 42 | Canones BWV 1087: 14. Canon à 4, per Augmentaionem et Diminutionem | - |
St. Matthew Passion
Goldberg Variations / Aria and Ten Variations in the Italian Style
Famous Organ Works
Sonatas for Viola da gamba and Harpsichord, BWV 1027-1029
Johann Sebastian Bach / Fernando Sor
German Lute Music of the Eighteenth Century
Das Musikalische Opfer BWV 1079
Suite no. 2 / Concerto / Trio Sonatas