Originally published by McClelland & Stewart in 1964, Flowers for Hitler is Leonard Cohen's third collection of poetry, in which he first experiments with his self-consciously "anti-art" an attempt, in his own words, to move "from the world of the golden-boy poet into the dung pile of the front-line writer." Haunted by the image of the Nazi concentration camps, the poems are deliberately ugly, tasteless, and confrontational, setting out to destroy the image of Cohen as a sweet romantic poet. Its author was confident in his new direction, telling his publisher at the time that the collection was a masterpiece, and "there [had] never been a book like this, prose or poetry, written in Canada."